点人溯事 · 历史人物生平行迹专题（第 70 / 74 篇）
青木正儿新文学绍介与戏曲行迹（1887年 — 1964年 · 明治二十年至昭和三十九年）
Aoki Masaru: New Literature and the Chinese Stage (1887 CE – 1964 CE · Meiji to Shōwa Japan)
时代跨度：1887年 — 1964年 · 明治二十年至昭和三十九年
途经站点：共 8 站
起点 → 终点：山口下关 → 京都
全线途经古今地名：山口下关（今日本山口下关） → 京都帝大（今日本京都） → 支那学社（今日本京都） → 北京留学（今中国北京） → 同志社大学（今日本京都） → 京都（今日本京都） → 京都帝大（今日本京都） → 京都（今日本京都）。
Route Stops: Shimonoseki, Yamaguchi (Shimonoseki, Yamaguchi, Japan) → Kyoto Imperial University (Kyoto, Japan) → Shigakusha, Kyoto (Kyoto, Japan) → Study in Beijing (Beijing, China) → Dōshisha University (Kyoto, Japan) → Kyoto (Kyoto, Japan) → Kyoto Imperial University (Kyoto, Japan) → Kyoto (Kyoto, Japan).
青木正儿新文学绍介与戏曲行迹 · 逐站时空坐标、古今地名与史料诗词详解（8 站）
生于山口县下关，号迷阳；关海风土与汉籍同育，后入京都帝国大学中国哲学文学科。
Born at Shimonoseki under the pen name Meiyō, he went up to Kyoto Imperial University for Chinese philosophy and letters.
卒业于京都帝大，承狩野直喜、铃木虎雄之学；能诗能画能饮，"艺术家气质"与考据并具。
Graduating under Kano Naoki and Suzuki Torao, he combined scholar’s philology with an artist’s temperament.
与同窗创《支那学》杂志，连载《以胡适为中心的涌动着的文学革命》，为日本学界系统绍介五四新文学之始；鲁迅致函谢其"怀着同情和希望所作的公正评论"。
With classmates he founded the journal Shigaku and serialized the first systematic Japanese study of the May Fourth literary revolution; Lu Xun wrote to thank his "fair review, with sympathy and hope".
鲁迅复青木正儿书（1920）：“我写的小说极为幼稚，只因哀本国如同隆冬，没有歌唱，也没有花朵，为冲破这寂寞才写的。”Lu Xun to Aoki Masaru (1920): "My stories are but crude things, written to break the loneliness of a homeland like deep winter, without song or flower."
赴北京留学三年，观新文学于讲堂茶肆，访元曲故实于市井戏台；归而倡言汉文当革旧读之法。
Three study years in Beijing took in the new literature and the living stage; on returning he called for abolishing Japan’s archaic readings of Chinese texts.
任同志社大学文学部教授，刊《中国文艺论薮》；戏曲小说之研究自此由余技而成专门。
A professorship at Dōshisha came with his collected essays — drama and fiction no longer marginal but central to sinology.
刊《中国近世戏曲史》，继王国维《宋元戏曲考》而下，论明清昆腔皮黄之变，为域外中国戏曲研究之巨制；后任京都大学教授。
His History of Early Modern Chinese Drama carried Wang Guowei’s work into Ming-Qing opera, the monumental foreign study of the Chinese stage, ahead of his chair back at Kyoto.
归任京都帝国大学教授；晚年考中华名物、华国风味，诗书画茶兼擅，人称"仙风道骨"的学者。
He returned to the Kyoto chair; his late works on Chinese names of things and regional flavors joined his poetry, painting and tea lore.
1964年病逝京都，年七十七；《青木正儿全集》十卷行世。
He died in Kyoto in 1964, aged seventy-seven, leaving ten collected volumes.