点人溯事 · 历史人物生平行迹专题（第 71 / 74 篇）
吉川幸次郎北京留学与杜诗行迹（1904年 — 1980年 · 明治三十七年至昭和五十五年）
Yoshikawa Kōjirō: Beijing and a Lifetime of Du Fu (1904 CE – 1980 CE · Meiji to Shōwa Japan)
时代跨度：1904年 — 1980年 · 明治三十七年至昭和五十五年
途经站点：共 8 站
起点 → 终点：神户 → 京都
全线途经古今地名：神户（今日本神户） → 京都帝大（今日本京都） → 北京留学（今中国北京） → 京都（今日本京都） → 京都大学（今日本京都） → 中国诗人选集（今日本京都） → 杜甫诗注（今日本京都） → 京都（今日本京都）。
Route Stops: Kōbe (Kōbe, Japan) → Kyoto Imperial University (Kyoto, Japan) → Study in Beijing (Beijing, China) → Kyoto (Kyoto, Japan) → Kyoto University (Kyoto, Japan) → The Poets Series (Kyoto, Japan) → Tu Fu’s Poetry Annotated (Kyoto, Japan) → Kyoto (Kyoto, Japan).
吉川幸次郎北京留学与杜诗行迹 · 逐站时空坐标、古今地名与史料诗词详解（8 站）
生于神户，商人家族而倾心汉籍；入京都帝国大学中国哲学文学科，师狩野直喜。
Born to a merchant family in Kōbe, he went up to Kyoto Imperial University to study Chinese under Kano Naoki.
卒业后入大学院，立志以清儒考据之法治中国文学；服中国衣冠，自谓以"中国人之友"自任。
In graduate school he vowed to read Chinese literature by Qing evidential method, dressing in Chinese robes and calling himself a friend of the Chinese.
与仓石武四郎前后赴北京留学三年，入北京大学听课，专治元曲，遍交中国学人；归国与仓石共创"会读"之法。
He spent three student years in Beijing — alongside Kuraishi Takeshirō — auditing at Peking University and mastering Yuan drama; home again, the two pioneered the group close-reading.
归国后以《尚书正义》《毛诗正义》译注立业，元曲研究次第刊布；中国文学之"会读"自其书斋始。
Home again, his annotated translations of the Documents and Odes classics set his career going, with Yuan drama studies and the collective reading method.
就任京都大学文学部教授凡二十年，讲中国文学史，倡以会读代单讲；门下小南一郎、兴膳宏、吉川忠夫辈皆成名家。
Twenty years as Kyoto University professor followed — his seminar readings trained a generation of sinologists.
主编《中国诗人选集》，译注《水浒传》《论语》；《汉武帝》《新唐诗选》风行，汉文脉重入日本大众之眼。
Editing the Chinese Poets series and translating the Water Margin and the Analects, he carried Chinese literature back to the Japanese public.
七十三岁始刊《杜甫诗注》第一册，誓以余生注杜诗全篇凡二十册；"读杜"六十年，自谓学问所归在斯。
At seventy-three he began the twenty-volume annotated Tu Fu — sixty years of reading the poet distilled.
吉川幸次郎《杜甫诗注》总序（1977）：“诗是感性的语言，正因如此，才更需要以逻辑来解开、验证。”Yoshikawa Kōjirō, general preface to Tu Fu’s Poetry Annotated (1977): "Poetry is the language of feeling — all the more, therefore, to be untangled and tested by logic."
4月8日病逝京都，年七十六；《杜甫诗注》至第五册而辍，由弟子兴膳宏续成，为二十世纪日本中国学之绝笔大业。
He died in Kyoto on 8 April 1980 with five volumes done; his students carry the commentary on.